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【动态】东西方艺术对话——原瑞典美协主席理查德参观师恩钊美术馆

2017-07-04 14:58:50 来源:北派山水艺术作者:
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  6月16日,原瑞典美协主席理查德先生参观了山水画家师恩钊的工作室和美术馆,与师恩钊及其弟子们进行了艺术交流,并说准备介绍外国学生来学习。在其后的晚餐上,理查德发表了热情的讲话。下面是讲话的记录。

  我今天很高兴能来到中国山水画大师师恩钊的工作室里参观展览并且与他和他的学生们交流。我也很荣幸能和他的家人以及亲戚朋友们一起享用美味的中餐。

  师恩钊先生的北派山水画给我的第一感受就是气势宏大,在和师恩钊先生的交谈中了解到了他对中国乃至世界各国壮丽的山形地貌的热爱和追求。这让我联想到不少瑞典的风景画家,他们都对自然元素比如山、水、树木、天空、云彩追求着一种属于自己的情怀。当我看到大师的国画中的很多白点时,开始以为是雪花,又看到其他画里有很多绿色的点,感觉又像山中飘落的绿叶,随后我就理解了这些是中国画家画中的一种抽象和写实的交融。东方艺术仅用最简单的毛笔,纸和墨就可以画出这样宏大的景色,这种神秘的东方艺术精髓,是我作为一个受过西方传统美术教育并了解西方哲学史的瑞典艺术家十分向往的。

理查德·布瑞克斯(原瑞典美协主席,著名雕塑家)

翻译整理 魏晋

  A Dialogue between Western and Eastern Artists

  On the 16th June, Chairman of the Swedish Artists National Organization, well known Swedish sculptor artist Richard Brixel visited the studio and the gallery of Northern style landscape painting master Shi En Zhao. Richard then shared his artistic experience with the Chinese artists and students in the studio. He also suggested Western students to study in Shi En Zhao studio in order to learn Eastern traditional art. Below is a speech that Richard Brixel delivered during the dinner.

  "I am delighted and impressed when visiting the exhibition gallery of Northern style landscape painting master Mr. Shi En Zhao as well talking to his student in the studio at Song Zhuang Art Village. It is a great pleasure for me to enjoy the delicious Chinese food together with his family, relatives and friends.

  My first impression of his landscape painting is a strong sense of immensity. After talking to the artist himself, I understood his pursuit and passion of the glorious landscape of China also around the world. This reminds me of some Swedish landscape painters, they both are seeking for their personal feelings and memories of the natural elements such as the mountains, water, the trees, the sky and the clouds.

  When I first encounter the use of white space in the master Shi's painting, I believed those are snow flakes. However when I saw green dots painted in other paintings, I then believed those are the leaves falling from the trees in the great mountains. Soon after I understood these various white spaces in Chinese traditional painting demonstrate a combination of abstraction and realism. The Eastern traditional painting practice only applies the brush, the rice paper and the ink to paint and recreate the magnificent view of nature.

  As a Swedish artist who was trained in the traditional western art education and who is familiar with western history of philosophy, this mysterious spirit of Eastern art practice has always been my aspiration.

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